ID 原文 译文
100451 Views of the outside are very familiar: the romantic silhouette and walls covered in panels of intricate but mechanically repetitive carving. 整个宫殿的外部形象大家非常熟悉：具有浪漫色彩的侧面轮廓线和用嵌板覆盖的墙体，嵌板上的雕刻精细而复杂，但却是机械地重复。
100452 Vignola was a master of suspense and hidden drama. 而且，维尼奥拉还是一位悬念剧和隐藏剧大师。
100453 Vignola, who went on to work for François I at Fontainebleau, had been an assistant to Michelangelo and like him was to some extent a bridge between the Renaissance and the Baroque. 维尼奥拉一直在枫丹白露为弗朗索瓦一世工作，曾是米开朗基罗的助手，在某些程度上像他一样，是文艺复兴风格与巴洛克风格过渡的桥梁。
100454 Vigorous depth of shadow (§ 13), exhibited especially by pierced traceries (§ 18). 尤其是由镂空窗花格所表现出的有力的阴影深度（第13节）。
100455 Vilhelm Wohlert & Jørgen Bo, Louisiana Museum of Art, Humlebæk, 1958–91 图2-8 威廉•沃勒特和乔恩根•布，路易斯安那现代艺术博物馆，汉姆莱巴克（Humlebæk），1958—1991
100456 Viljo Revell's design has functional drawbacks—splitting a municipal bureaucracy in two makes little organizational sense—but the building and its popular plaza have become a Toronto icon. 事实上，维尔约•雷维尔（Viljo Revell）的这件设计作品在功能上是存在缺陷的：它将政府机构一分为二，削弱了两个体块之间在功能上的联系。然而，这座建筑和建筑前的广场已然成为多伦多独一无二的标志（见图1-8）。
100457 Viljo Revell, Toronto City Hall, Toronto, 1965 图1-8 维尔约•雷维尔，多伦多市政厅，多伦多，1965
100458 Villa Barbaro 巴巴罗别墅
100459 Villa Barbaro, sometimes confusingly called Villa Maser after the nearby village, is a serene masterpiece. 巴巴罗别墅，偶尔也被附近村庄的人迷惑地称为主人别墅，一座静谧的杰作。
100460 Villa Capra, Vicenza, Italy (1569); architect: Andrea Palladio (1508-80) (Figure 15) 圆厅别墅（卡普拉别墅），维琴察，意大利（1569）；建筑师：安德烈亚·帕拉第奥（1508-1580）（图15）